Entertainment High Points of 2017

I don’t consume nearly enough content of any one form of entertainment to properly do a 2017 “Top 10” for it. However, I do consume enough content across all forms of entertainment to compile a list of those that were some of the definite high points of 2017…and here they are.

Wonder Woman 

She came, she saw, and she conquered. Three movies in, and DC Entertainment’s attempt to grab a piece of the cinematic universe pie that Marvel has been gorging on for close to a decade now was still less than well-received by both fans and critics. The dour, gritty and grim DC “extended universe” trifecta of Man of Steel, Batman v Superman and Suicide Squad did well enough at the box office, but weren’t getting movie-goers hyped up to see any more doom-and-gloom adventures from their favourite DC icons. Enter Diana of Themyscria—princess of the Amazons, in a tale filled of hope, triumph, and yes, wonder (not to mention one that was far removed from the era of previous DCEU films, by about nearly 100 years). Gal Godot brought charisma, honesty, strength and humour to her portrayal of the Amazing Amazon and the world responded. With a global take higher than even the most optimistic predictions ($821 million), Wonder Woman bested all other DCEU films at the box office, including the surprisingly under-performing, Justice League (which exceeded meager expectations and deserved better than to have made less than Suicide Squad).

Will & Grace 

When rebooting a series, the key to capturing the magic of the original is simple: Don’t change a thing. Will & Grace reappeared after an 11-year absence and it was like they’ve just been here all along. Welcome back, gang.


File this remake under “guilty pleasures”. The 80s smash that brought to the masses shoulder pads, catfights and royal wedding massacres well before Game of Thrones, was given a fresh start with this deliciously enjoyable CW makeover. Still focusing on the uber-rich Carrington clan, the action has moved from Denver to Atlanta, the cast is more diverse, and mogul Blake Carrington is now years away from becoming a silver fox (but is still a fox nonetheless, as he’s played by Melrose Place alum, Grant Show). Unfortunately, it’s ratings have it languishing near the bottom of CW’s current roster. Here’s hoping Nicolette Sheridan will help pull in some more viewers when she arrives on the scene as the new Alexis (aka the role that shot Joan Collins into the celebrity stratosphere).

Astonishing X-Men 

Years ago, Marvel was miffed that they didn’t own the film rights for the X-Men and Fantastic Four (which they sold when they were in the throes of bankruptcy) and decided if they can’t play with their toys on the big screen, then they aren’t going to play with them at all. They effectively slid the X-Men and Fantastic Four to the back burners of the Marvel Universe while they tried upping the profiles of their lesser-known, but wholly-owned entities (namely, The Inhumans and Guardians of the Galaxy). So, it was a bit of a surprise when they recently re-launched their mutant comic book line-up with 8 new titles. The line-up is a mixed bag in both quality and content, but the clear standout is Astonishing X-Men.  This 12-issue limited series is a welcome return to form that features a classic, throwback cast consisting of Rogue, Psylocke, Gambit, Archangel and Bishop (along with wild cards Fantomex, Mystique and Old Man Logan) who join forces with their deceased mentor Charles Xavier to wage battle in the otherworldly realm of the Shadow King, with nothing less than the fate of the whole world as we know it at stake (or in other words, just another Tuesday in the MU).

“Bad Liar” – Selena Gomez 

I’ve been pretty indifferent when it comes to the musical output of Selena Gomez. It’s there, I don’t mind it, but I’m certainly not going out of my way to listen to any of it. That all changed with “Bad Liar”. Mature and hypnotic, this brought a new side of Gomez to the forefront – I had actually heard it a few times before finding out it was her, and was pleasantly surprised when I did. The only drawback? The accompanying 70s suburbia slice-of-life video, which places Selena in multiple roles that range from sublime (her ultra Farrah-esque gym teacher is a joy to watch) to downright skeevy (babyfaced Selena in full crotch-grabbing male drag, porn-stache and all, is just unconvincing and unsettling). Thankfully, the music has enough merit to stand on its own.

Now before I wrap this up, I’d like to give a shout-out to a couple of podcasts. While both of these actually premiered prior to 2017, they nonetheless brought such joy to me throughout this year that they couldn’t go unmentioned.

Who? Weekly 

Bobby Finger and Lindsey Weber keeps the chuckles coming with this twice-a-week podcast where they dish about the pseudo-famous (and Rita Ora) by giving you “everything you need to know about the celebrities you don’t”.

Bitch Sesh 

Casey Wilson and Danielle Schneider’s humourous podcast where they, along with a bevy of brilliant guests, examine all things Real Housewives (with a hilarious helping of all things Casey and Danielle as well).

And now for my highest high point of 2017…

“Cut To The Feeling” – Carly Rae Jepsen 

It’s an injustice that Jepsen’s post-“Call Me Maybe” output hasn’t been embraced even half as much as her career-making #1 smash (although I place a big part of that blame on the video for what should have been the big hit lead single off her sophomore album. Having Tom Hanks lip-sync nearly the entirety of “I Really Like You” while riding in a cab and doing other mundane things is definitely not something that encourages multiple views on YouTube). However, this track, originally left off said sophomore album only to find a home in Leap!, the little-seen animated ballerina flick featuring the voice of C-Rae Jeps herself, is something that demands attention. Energetic, exuberant and contagious, it was the perfect counterpoint to all the things that made you go “ugh” in 2017.


Happy New Year everyone!


Batman v Superman: Pros v Cons (Part I)

BvSposterIt has been just under a week since Batman v Superman: Dawn of Justice punched it’s way to a record-breaking box office debut (as of this writing, the film’s worldwide grosses have just passed the half a billion mark) and a lot of talk has been made about the reception of the film. It certainly hasn’t won over the critics, as the overall consensus has been resoundingly poor (it currently sits at 29% “fresh” on the aggregate site Rotten Tomatoes and has an average score of 44/100 over on Metacritic). There has been a lot of buzz-speak against this fact, and about how the film was “not made for the critics” but is a “film for the fans”.

But is it really? I’m a comic book fan, and while I didn’t think it was a “bad” film, I did think it was really “meh” – because even though it is mostly well-made and has its share of good moments, I found that there were a lot of problems story-wise as well as stylistically – and overall it’s definitely not the type of film I was ever hoping a Batman/Superman team-up would be. And even though the audience may have turned out in droves to support its debut, it seemed they left  mostly feeling “meh” as well (Cinemascore had viewers giving the film an overall “B” rating –  but also noting that this came partly from a  balanced amount of “A” and “C” grades given, and not simply a majority of “B” grades). It would appear then, that just as many movie-goers are enjoying the film as those who are not, while the remaining group doesn’t see much difference either way.

So, in the spirit of pitting two forces against one another, I’m going to dive a little deeper into my own views on the film and do a two-part Pros v Cons of Batman v Superman. Up first, the Pros!


Addressing the destruction in Man of Steel – By opening the film with a civilians-eye view of the destruction in Metropolis caused during Man of Steel‘s climatic fight between Superman and Zod, the film addresses head-on the biggest problem point of that film – that hundreds, if not thousands of innocent bystanders would have been killed during their battle, and no one seemed to bat an eyelash about it, most especially Superman himself. This time around we see the affect it had on those caught in the catastrophe, including one Bruce Wayne.

Wonder Woman – The long overdue big screen debut of the Amazing Amazon didn’t disappoint – the only problem being that there wasn’t enough of her, with her barely-there subplot only serving to set up future films. But still, when Gal Gadot finally suited up to join the fight against Doomsday, my face cracked the smile that had been absent from minute one of watching the film. And that smile was also due in part to…

Wonder Woman’s theme – Junkie XL collaborating on the score with Hans Zimmer seemed like an odd choice, but when Wonder Woman finally appeared, all armoured-up and backed by this jacked-up, synthesized, pulsating orchestration, it was just all kinds of right.


And just like that, the movie suddenly gets a whole lot better

Alfred – Comic book fans have known for years that Alfred is more than just a butler and surrogate father, he’s a bad-ass dude in his own right. It was refreshing to see Jeremy Irons’ portrayal of him was more as Bruce Wayne’s tech-savvy right-hand man, fully capable of tasks like drone-piloting the Batwing, than just as someone who simply buttles and tut-tuts.

The Batcave – Having the entrance to the Batcave be hidden in the middle of lake that magically parts like the Red Sea when the batmobile launches over it was the kind of stuff we needed more of – it’s a little nod to the past (in this case the 60’s Batman series with the cave entrance hidden behind a false cliffside) that’s also modern enough to give you one of those fun “oh, cool!” superhero moments that are largely lacking otherwise in the film.

The introduction of the other future Justice Leaguers – With every new hero that was announced for this film – Aquaman, Flash, Cyborg – it seemed like DC Entertainment and Warner Bros were so desperate to play catch-up to Marvel’s cinematic universe that they were going to overstuff this movie with too many points of focus. Luckily, these three heroes were all only seen briefly (apart from Flash’s cryptic cameo in the Batcave) on a few minutes of surveillance footage – with only  minimal dialogue and explanation – just a teaser of what we can expect to see of them sometime down the road.

Up next: The Cons!