So Many Supergirls

With the current cross-platform appeal of superheroes, it’s quite common to see two or three different iterations of popular characters appearing concurrently in different mediums. And while it may get confusing for some, at least it’s easy to visually distinguish them due to their medium. For example, you know just by looking at an image of Wonder Woman if she is the comic book, movie or animated version of the Amazing Amazon.

Then there are cases like Supergirl. DC Comics’ Girl of Steel has not only had multiple iterations spread across comics, film, television and more – she’s had multiple iterations within DC’s comic book line alone (and that’s without even counting the ones from DC’s non-continuity comics aimed at younger readers). And these iterations have been so distinctive from one another that when a fanboy talks about  “Supergirl from the comics”, she will most definitely be given an era-specific tag. And then add to that mix the various other Supergirls you’ve got floating around pop culture and things can start to get real confusing, real quick.

So let’s just break ‘em all down right here and now, shall we?

The Current Line-Up

These are the Supergirls regularly appearing in currently-produced content:

Supergirl (DC Comics) 

AKA the “Rebirth Supergirl”. The current comic book version of Kara Zor-El, last daughter of Krypton and cousin to Superman was recently given a soft reboot to bring her more in line with the other high-profile Supergirl currently appearing on television in…

Supergirl (The CW) 

Melissa Benoist flies high as part of Greg Berlanti’s superpowered “Arrow-verse” line-up of connected CW shows that include The Flash, Arrow, and Legends of Tomorrow. As Linda Danvers, she works for CatCo Media and as Supergirl, she fights superhuman threats alongside her special agent adoptive sister and the D.E.O (Department of Extra-Normal Operations).

DC Super Hero Girls (multi-platform) 

As part of DC Entertainment’s animated/graphic novel/toy line aimed at young girls, Supergirl here is a neophyte hero sent to Super Hero High to hone her skills alongside super-powered classmates that include teen versions of Wonder Woman and Batgirl.

Previous/other versions 

The “Pre-Crisis” Supergirl 

This was the first (and for many people), most definitive Supergirl. For her first 26 years as a comic book character, it was smooth sailing for Supergirl. She was introduced to the world as Kara Zor-El, cousin to Superman, whose family lived on a fragment of Krypton that had survived that planet’s destruction. Eventually the city was threatened by a cataclysmic meteor shower and her parents sent her to safety in a rocket to Earth, much like her cousin Kal-El, years before.

Placed in an orphanage under the alias “Linda Lee” and keeping her identity as Supergirl hidden from the world, she was eventually adopted by the Danvers, went public as Supergirl and was an admired heroine from her teens into her twenties.

Then came the Crisis on Infinite Earths, where DC Comics decided they needed to tidy up all their multiple-earth continuity by rebooting their whole universe and starting fresh. And to signal that they meant business, they killed off some of their biggest names, the first of which being Supergirl.

The Post-Crisis Supergirl(s) 

Now here’s where it starts to get a little crazy. Shortly after killing off Supergirl and rebooting their universe, there was talk around DC about bringing Supergirl back somehow (in the post-Crisis DCU “Supergirl” never existed, so no one was aware there had ever been a “Supergirl” and that she died saving the universe in the Crisis). So here’s what DC did next.

Matrix Supergirl 

A shape-shifting blob of protoplasm (really), Matrix was from an alternate Earth and she took the guise of “Supergirl” when she came to seek Superman’s help in saving her Earth. She eventually stayed on the Earth of the DCU proper and permanently adopted the role of Supergirl.

Supergirl (Linda Danvers) 

To save a dying woman, Matrix Supergirl merged with her (remember, she’s really just a blob of protoplasm). The woman, one Linda Danvers, and Matrix Supergirl then permanently become one being, “Supergirl”. After having a number of adventures (and modifying her costume to look similar to the animated version of Supergirl that was currently appearing on television), she eventually retired from being Supergirl, which paved the way for DC to bring in the new…

Supergirl (Kara Zor-El) 

The classic Supergirl was finally properly reintroduced to the post-Crisis DC Universe, as Kara Zor-El, long-lost cousin of Superman, crash landed to Earth in a meteorite that was once part of Krypton. The teen super-heroine was eager to learn about her new home and eventually worked alongside the Teen Titans, Legion of Super-Heroes and the Justice League. All seemed well, until…

The “New 52” Supergirl 

The “New 52” was DC’s attention-grabbing but poorly-thought out and hastily-executed attempt to gain exposure, sales and general interest for their comic book lineup. They rebooted their universe (again) and relaunched all of their titles with new #1 issues. Supergirl, here again, was a refugee from Krypton, arriving to Earth as an teen, albeit one who was prone to bursts of anger and was, dare I say, not very likeable. And she also had a very questionable costume – thigh-high boots with knee cut-outs and a bathing-suit like outfit with a very unfortunate placement of red paneling. She did, however, manage to make friends with others long enough to briefly join the Justice League United (it was this Supergirl who was given the soft reboot to become the “Rebirth” Supergirl mentioned above).

But wait, there’s more! 

Remember, this all came about because we were talking about different iterations of heroes across different mediums, so I would be remiss if I didn’t also mention:

  • Kara, as portrayed by Helen Slater in the 1984 film Supergirl.
  • Kara, as portrayed by Laura Vandervoort (in the television series Smallville)
  • Supergirl from the DC Animated Universe (Superman Adventures and Justice League Unlimited)
  • Supergirl from the Lego Batman video game franchise
  • Supergirl from the Injustice video games and tie-in comics

As well as these other (non DCU) comic versions:

  • Supergirl: Cosmic Adventures In The 8th Grade
  • Tiny Titans

…and there you have it!

Although there’s bound to be some outliers I missed here and there…just be glad I didn’t fold Power Girl into the mix (aka the Supergirl of Earth 2), because she’s a whole ‘nother ball of confusion!

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Entertainment High Points of 2017

I don’t consume nearly enough content of any one form of entertainment to properly do a 2017 “Top 10” for it. However, I do consume enough content across all forms of entertainment to compile a list of those that were some of the definite high points of 2017…and here they are.

Wonder Woman 

She came, she saw, and she conquered. Three movies in, and DC Entertainment’s attempt to grab a piece of the cinematic universe pie that Marvel has been gorging on for close to a decade now was still less than well-received by both fans and critics. The dour, gritty and grim DC “extended universe” trifecta of Man of Steel, Batman v Superman and Suicide Squad did well enough at the box office, but weren’t getting movie-goers hyped up to see any more doom-and-gloom adventures from their favourite DC icons. Enter Diana of Themyscria—princess of the Amazons, in a tale filled of hope, triumph, and yes, wonder (not to mention one that was far removed from the era of previous DCEU films, by about nearly 100 years). Gal Godot brought charisma, honesty, strength and humour to her portrayal of the Amazing Amazon and the world responded. With a global take higher than even the most optimistic predictions ($821 million), Wonder Woman bested all other DCEU films at the box office, including the surprisingly under-performing, Justice League (which exceeded meager expectations and deserved better than to have made less than Suicide Squad).

Will & Grace 

When rebooting a series, the key to capturing the magic of the original is simple: Don’t change a thing. Will & Grace reappeared after an 11-year absence and it was like they’ve just been here all along. Welcome back, gang.

Dynasty 

File this remake under “guilty pleasures”. The 80s smash that brought to the masses shoulder pads, catfights and royal wedding massacres well before Game of Thrones, was given a fresh start with this deliciously enjoyable CW makeover. Still focusing on the uber-rich Carrington clan, the action has moved from Denver to Atlanta, the cast is more diverse, and mogul Blake Carrington is now years away from becoming a silver fox (but is still a fox nonetheless, as he’s played by Melrose Place alum, Grant Show). Unfortunately, it’s ratings have it languishing near the bottom of CW’s current roster. Here’s hoping Nicolette Sheridan will help pull in some more viewers when she arrives on the scene as the new Alexis (aka the role that shot Joan Collins into the celebrity stratosphere).

Astonishing X-Men 

Years ago, Marvel was miffed that they didn’t own the film rights for the X-Men and Fantastic Four (which they sold when they were in the throes of bankruptcy) and decided if they can’t play with their toys on the big screen, then they aren’t going to play with them at all. They effectively slid the X-Men and Fantastic Four to the back burners of the Marvel Universe while they tried upping the profiles of their lesser-known, but wholly-owned entities (namely, The Inhumans and Guardians of the Galaxy). So, it was a bit of a surprise when they recently re-launched their mutant comic book line-up with 8 new titles. The line-up is a mixed bag in both quality and content, but the clear standout is Astonishing X-Men.  This 12-issue limited series is a welcome return to form that features a classic, throwback cast consisting of Rogue, Psylocke, Gambit, Archangel and Bishop (along with wild cards Fantomex, Mystique and Old Man Logan) who join forces with their deceased mentor Charles Xavier to wage battle in the otherworldly realm of the Shadow King, with nothing less than the fate of the whole world as we know it at stake (or in other words, just another Tuesday in the MU).

“Bad Liar” – Selena Gomez 

I’ve been pretty indifferent when it comes to the musical output of Selena Gomez. It’s there, I don’t mind it, but I’m certainly not going out of my way to listen to any of it. That all changed with “Bad Liar”. Mature and hypnotic, this brought a new side of Gomez to the forefront – I had actually heard it a few times before finding out it was her, and was pleasantly surprised when I did. The only drawback? The accompanying 70s suburbia slice-of-life video, which places Selena in multiple roles that range from sublime (her ultra Farrah-esque gym teacher is a joy to watch) to downright skeevy (babyfaced Selena in full crotch-grabbing male drag, porn-stache and all, is just unconvincing and unsettling). Thankfully, the music has enough merit to stand on its own.

Now before I wrap this up, I’d like to give a shout-out to a couple of podcasts. While both of these actually premiered prior to 2017, they nonetheless brought such joy to me throughout this year that they couldn’t go unmentioned.

Who? Weekly 

Bobby Finger and Lindsey Weber keeps the chuckles coming with this twice-a-week podcast where they dish about the pseudo-famous (and Rita Ora) by giving you “everything you need to know about the celebrities you don’t”.

Bitch Sesh 

Casey Wilson and Danielle Schneider’s humourous podcast where they, along with a bevy of brilliant guests, examine all things Real Housewives (with a hilarious helping of all things Casey and Danielle as well).

And now for my highest high point of 2017…

“Cut To The Feeling” – Carly Rae Jepsen 

It’s an injustice that Jepsen’s post-“Call Me Maybe” output hasn’t been embraced even half as much as her career-making #1 smash (although I place a big part of that blame on the video for what should have been the big hit lead single off her sophomore album. Having Tom Hanks lip-sync nearly the entirety of “I Really Like You” while riding in a cab and doing other mundane things is definitely not something that encourages multiple views on YouTube). However, this track, originally left off said sophomore album only to find a home in Leap!, the little-seen animated ballerina flick featuring the voice of C-Rae Jeps herself, is something that demands attention. Energetic, exuberant and contagious, it was the perfect counterpoint to all the things that made you go “ugh” in 2017.

 

Happy New Year everyone!

Green Fury, Olympian and a Possible Post-Mortem for “Powerless”

While I try to avoid doing back-to-back posts on the same topic, I’m making an exception for Powerless. The fate of NBC’s “civilians of the DC Universe” workplace comedy is hanging by a very tenuous thread, as it has recently been pulled from NBC’s schedule, even though they still have 3 unaired episodes. Though assumed by many outlets to have been cancelled, NBC still hasn’t officially made it so – and has stated it is still planning on airing the three remaining eps. So, looks like we will just have to cross our fingers and see. It would be a shame for this clever and fresh take on the superhero genre to die an early death. But honestly, it wouldn’t surprise me, as it really is more of a “niche” comedy that would probably be better suited for a Netflix-type platform (or even the CW), and doesn’t seem to have that “broad-appeal” factor needed for a major primetime network show.

Whereas straight-up superhero shows like The Flash and Arrow are able to build out their worlds and mythologies as they go, Powerless takes place in an already very-established world – one that the writers have mined for all its worth. This is truly one superhero production that could actually stand by the claim that it was “made for the fans”, because there are so many Easter eggs, random references and winks to trivial bits of the DC Universe that makes the fanboy in me squeal and clap with delight, but probably goes right over the heads of the average viewer.

Which gives a nice segue into the main topic of the post – a profile of the power couple of Powerless, Green Fury and Olympian.  Much like Crimson Fox, Charm City’s other high-profile hero, Green Fury and Olympian are both long-established DC heroes who have never quite made it to “A” list status, and although they both got started the same way, their courses through the DC Universe became drastically different.

Both heroes made their DC comics debut, along with a number of other international heroes, in the pages of DC’s kid-friendly title, Super Friends. Brazilian-born Green Fury (who had the power to exhale mystical green fire) and Greece’s Olympian, (endowed with super human abilities from the legendary Golden Fleece)  soon made the jump to the DCU proper as members of  international fighting force, The Global Guardians, teaming up with Superman in an issue of DC Comics Presents. The Guardians didn’t pop up much at all after that though, save for a guest stint by a modified version of the team in the pages of  Infinity, Inc. In this iteration of the GG, Olympian wasn’t even around and Green Fury was now going as Green Flame.

There’s our power couple in the bottom right corner, giving that giant’s shin a good working-over

And that’s where their fates diverged. Olympian would only pop up a few of more times over the next two decades (with one time being in the out-of-continuity title Batman: The Brave and the Bold). But Green Fury/Flame did much better. When the Justice League got U.N. backing and became an international entity (as detailed previously), the Global Guardians were dissolved. Now without a job, the resourceful Green Flame grabbed best pal and fellow ex-Guardian, Norway’s  Icemaiden and marched right up to the Justice League Embassy and simply announced that they were there to join. When their timely assistance proved helpful against and alien invasion, they were indeed signed up. Soon after, the heroines shortened their monikers to the much catchier Fire and Ice and much like Crimson Fox, went on the establish themselves as two of that eras most enduring Justice League members. The flirtatious and fame-friendly Fire even got a power upgrade when the metagene bomb activated a latent gene in her DNA, turning her from a ground-bound fire breather to a being who could switch into a flame form that enabled her to fly and project fire through her hands.

After her Justice League era came to a close, Fire briefly appeared with a new version of the Global Guardians (alongside Crimson Fox III, in fact) but after DC’s most recent reboot, has since been established as a charter member of the short-lived  Justice League International.

Meanwhile, Olympian struggled with garnering the spotlight, resulting in minimal exposure over the years, and he has yet to be established in the rebooted DCU.

Which makes his appearance with Green Fury in Powerless so enjoyable. In their episode, Green Fury confides to Wayne Security’s Emily Locke that she can never be taken seriously by the public or considered for the Justice League when things like her break-up with Olympian is front page news for the gossip rags (which Fury figures Olympian  leaked himself, just to get attention). She then agrees to film an endorsement for Wayne Security, think the PR will do her good (which aligns well with the motivations of the Justice League-era Fire). Then the commercial morphs into an explotative T & A shoot, but instead of calling it quits, she calls in Olympian. Ever happy for a gig where he can get maximum exposure for himself and his Greek-god bod, the shoot is reworked for beefcake instead of cheesecake, and comes off without a hitch.

Eventually, things do kinda work out for our power couple…in the end

The commercial is such a success that Fury tells Emily she even got a call from the Justice League…well, actually Justice League Europe. Emily tries to make her feel better by pointing out that the JLE is like, “one of the top five Justice Leagues”. And this exchange is a good example of that which is one of the strengths of  Powerless as well as its kryptonite: it’s humourous and enjoyable – IF you know that there actually was a Justice League Europe and that there have been a plethora of Justice League iterations and offshoots over the years, from which a top five could easily be ranked. Otherwise, it’s just another semi-amusing, non-contextual throwaway line for the majority of mainstream viewers.

So, even though the writing is pretty much on the wall for Powerless at NBC, maybe there’s still chance that someone like Netflix will swoop in and save the day for the citizens of Charm City (because Crimson Fox sure ain’t gonna do it – she already skipped town for a new gig in Metropolis…adjacent)

The Powerhouse of “Powerless”: Who Is Crimson Fox?

With DC and Marvel Comics laying claim to over a dozen television shows currently on the air, the new NBC comedy Powerless does something unique to stand out from the pack. It does this by focusing not on superheroes, but rather on the everyday joes who just happen to live and work in a world where a plethora of super-powered beings don flashy costumes to either wreak havoc or save the day – or sometimes both.

As it takes place in the DC Universe (albeit, a much more brighter one than the film DCU of Batman v Superman and Suicide Squad and more lighthearted than the tv DCU found in the CW’s quartet of Arrow-verse shows) there have been multiple references to many of DC’s superhero royalty. We’re talking the big guns like Batman, Aquaman, Flash and the one character than has been significantly featured more than any other — Crimson Fox. Wait — Crimson Fox?

Always the hero, Crimson Fox bravely places herself between civilians and the deadly powers of Frostbite

Yes, on Powerless, this little-known heroine of the DCU has already crossed paths numerous times with one Emily Locke (Vanessa Hudgens) – saving her on first day of work at Wayne Security, battling Frostbite on her office building’s balcony and becoming her game-changing Fantasy Superhero League pick when she surprisingly manages to leapfrog over heroes like the Flash by saving a whole cruise ship full of people. It appears that Charm City has its very own protector (Powerless continues the fine DC tradition of creating fictional cities for their superhero stomping grounds).

It’s somehow fitting and hilarious that a show about the normal people living in an unknown city of the DCU only gets to have face time with one of its more obscure heroines. But for DC fanboys like myself, it’s also great to see a largely disregarded but still fan-favourite character finally get some mainstream exposure.

But who exactly IS Crimson Fox?

In a nutshell, she was a France-based heroine created by DC scribes in the late 80s specifically so that the newly-launched Justice League Europe would actually have a European member. She would end up becoming one of the more constant members of that era, eventually moving to Justice League America after it reformed following the folding of its International division.

But lets’s deleve a little deeper, shall we?

The Origin

Chantal D’Aramis was a research scientist who worked for a corporation called Big Time. Her main project was development of an irresistible perfume derived partially from fox musk. What she didn’t know was that the formula was also toxic, and shortly after she left Big Time to give birth to twin daughters (Vivian and Constance), she died of cancer.

Years later, Vivian and Constance learned that Moriarty, their mother’s former employer, had known all along of the toxic properties their mother’s perfume development was creating, but didn’t inform her until she had refined and perfected the product. Vowing to take him down, the girls started their own beauty brand, Revson which eventually eclipsed Big Time and ruined Moriarty. This drove him crazy with revenge and he ended up killing the twins father, Andre, and then vanished.

This motivated Vivian and Constance to seek out justice not only for themselves, but “for all honest people”, so they became Crimson Fox.

Yes, they became the Crimson Fox. Since they couldn’t very well run a business empire and fight crime as a costumed vigilante (although it seems to work for Bruce Wayne), they decided to fake Constance’s death and share Vivian’s identity. So, when one twin was running Revson as Vivian, the other was free to fight crime as Crimson Fox, and vice-versa. Vive le difference!

Crimson Fox’s time as an active Justice Leaguer coincided with the trading card boom of the 90s, leading to her appearance in a number of DC’s collectable sets

Powers

Both D’Aramis girls shared enhanced abilities that are believed to be a side effect of their mother being pregnant while working on her experiemental fox musk-based perfume. Crimson Fox had enhanced strength, agility, speed, endurance and healing ability. She could leap up to 20 feet in the air and complemented this with steel-taloned gloves that enabled her to attach to and climb most surfaces (and made a pretty good weapon on their own – as did her cowl, which she could manipulate like a whip). Crimson Fox also had a pheromone-control power that she could use to influence the actions of those near her.

Career

As previously mentioned, Crimson Fox became a member of the Justice League but kept secret the fact that they were twins. This was ultimately revealed after Vivian (as Crimson Fox) began a romance with fellow Leaguer, Metamorpho. Shortly afterward, Vivian was kidnapped by the villain Puanter and killed. Constance carried on as Crimson Fox, but there was still more tragedy to follow.

After Justice League America folded and reformed as the “big guns only” JLA, Constance attempted to reform the European branch with four other Justice League cast-offs. Unfortunately, they were infiltrated by the daughter of the supervillain The Mist who managed to decimate most of Crimson Fox’s new team, killing not only Blue Devil and  Amazing Man but Crimson Fox, herself.

But that was not the end of Crimson Fox! Years later a third Crimson Fox showed up as a member of the Global Guardians, one who insinuated that she had inherited the Revson business and apparently the abilities of Crimson Fox, too. Shortly after her first appearance, DC Comics rebooted their universe (again) and in the reshuffling since, Crimson Fox has yet to be reintroduced.

Until Powerless, that is. Now she’s back, more powerful and getting more coverage than she ever has before – which I find kinda nice after having already been killed twice.

And don’t worry, they eventually thawed her out

DC’s Legends of Yesterday

DC Comics is enjoying its most prolific period on television ever, with no less than six prime-time television shows based on DC characters currently airing on major broadcast networks (those would be Arrow, The Flash, Gotham, Supergirl, Lucifer and of course, the company-branded, DC’s Legends of Tomorrow). But while Marvel has only just recently dominated the cinematic super hero landscape, DC has always had a strong presence on television, leaving pop culture footprints that lead all the back to the 1970s with Wonder Woman, the 1960s with Batman and even to the 1950s with The Adventures of Superman.

However, for all the iconic DC Comics-based series, there are a number lesser-known, but still worthy, series that flew under the radar. And right now I’m going to shine the spotlight on of a few them – think of them as DC’s TV Legends of Yesterday.

 

(The Adventures of) Superboy  1988-1992 (Syndication)

DCsuperboy2Well before Smallville, the live-action adventures of a young Clark Kent were brought to the small screen in Superboy (later retitled The Adventures of Superboy in its third season). Faced with the diminishing returns of their cinematic Superman/Supergirl franchise, executive producers Ilya and Alexander Salkind turned their attention to the small screen and set about launching a series based on the teen hero. However, instead of being high schoolers in Smallville, Kansas, Clark Kent and childhood sweetheart Lana Lang (played by John Haymes Newton and Stacy Haiduk) were university students in Florida (which was helped location-wise by the fact that Superboy was the first weekly series to be produced at Florida’s Disney/MGM Studios and later Universal Studios Florida)

Newton’s portrayal offered up a more confident, less-nerdy version of Clark Kent and after initial 13 episode order, the show was given the green light to produce 13 more. It was after this second batch of episodes that the producers of the show and Newton began having issues with each other (Newton’s demand for more money along with a publicized arrest for DUI didn’t help matters) and as a result, Newton was asked to leave the show.

Now, usually you would think that recasting someone who was not only the lead actor, but the title character of a show, would signal the beginning of the end – especially for a relatively new series that was trying to build an audience. But that turned out to be not the case here. The show went on to run for another three seasons, with Gerard Christopher swooping into the title role of the young Kryptonian at the start of season two, eventually appearing in a total of  74 of the 100 produced episodes.

 

 

Birds of Prey 2002-2003 (The WB)

DCbopThe now-defunct WB network had already tasted success with a female-driven action/genre series with Buffy the Vampire Slayer, so Birds of Prey seemed like a perfect fit. At the time one of DC Comics’ standout titles, the comic book Birds of Prey centered around Barbara Gordon, the former Batgirl, now crippled by the Joker and fighting crime from behind her computer screen as Oracle. To do her legwork on covert missions, she enlists the help of some of her super-powered friends, which mainly consisted of Black Canary and then later, the Huntress. This was the first thing the TV version switched up a bit – choosing to make Huntress (Ashley Scott) the main partner of Oracle (Dina Meyer) with a not-quite Black Canary, Dinah (Rachel Skarsten) joining them later.

Now, usually a big stumbling block for comics that make the transition to the small screen is conveying their premise and backstory easily to the audience so they can get onboard as quickly and painlessly as possible. And as a comic, Birds of Prey was already carrying some big baggage, especially for those people who only knew of Batgirl as the bouncy redhead from the Batman series and animated shows. So, it’s a real head-scratcher that the WB opted to take that premise and make it even MORE confusing – tweaking characters, locations, histories and well… sometimes it’s better to show than to tell, so just soak up this one very expositional voice over that introduced the show each week.

 

That said, the show was still well done and it brought in the biggest ratings for a premiere episode on the WB at the time. However, it wasn’t able to sustain those numbers, and as the show was quite expensive to produce, it wasn’t deemed profitable enough to continue beyond its initial 13 episode order. But, even though it was a bit misguided, the series is still well-remembered by many BoP fans (especially since it included Mia Sara’s role as the big bad of the series – the first live-action version of Dr. Harleen Quinzel aka Harley Quinn)

 

Legion of Super Heroes 2006-2008 (The CW)

DClsh2One of the oldest super hero teams in comic book history (they first appeared in 1958) the Legion of Super Heroes have been a fan-favourite team for decades. In 2006, following the smash successes of the animated Justice League and Teen Titans series, the futuristic team of super-teens finally got their due with their own series.

Legion of Super Heroes ran for two seasons as part of the Kids WB lineup on the newly-formed CW network. It introduced viewers to the young and vibrant team of heroes from the 31st century who take the young Superman from the 21st century under their wing to give him the training and experience he’ll need to become the legend they know him as in their era.

Legion of Super Heroes was a fun and exciting show that proved there was a way to take decades of continuity, characters and backstory and just filter it down to necessary elements that would appease fans of the comic while not alienating new audiences. And with the cues DC Entertainment has been taking from Marvel’s cinematic universe, I’m surprised that they haven’t realized that they already have their own answer to the Guardians of the Galaxy in Legion of Super Heroes…and it’s just been left sitting there, waiting for the live-action treatment. Oh well, until then we can always enjoy the rather awesome LSH opening credits and theme:

Heroes For The Holidays

As we count down the final hours to Christmas, I thought I would just pop up a little post showcasing some Season’s Greetings of the super hero kind. From comic book covers to in-house greeting cards to one-off works of art, the heroes of DC and Marvel can always be counted on to turn it out for holidays!

Holiday Comics

xmas-superheroesDC’s semi-regular tradition of collecting holiday themed stories spanned over many years – and many formats. Christmas With The Super Heroes started out as an oversize tabloid, then went to  paperback digest before finally settling in to the regular comic book format.

3578_4_2

Marvel also knocked out a few of their own Holiday Specials over the years, and these two pin-ups from one of its earliest ones are favourites of mine.

Christmas Cards and Holiday Art

DC and Marvel’s Christmas card game is always on point – whimsical and usually with a welcome touch of humor (I especially love Batman getting beaned with a snowball).

dcuxmasbats

Marvel-Christmas-green-Hulk-redDC_Comics_2011_Holiday_Card

And artist Chris Giarrusso’s spot-on homage to A Charlie Brown Christmas for one of Marvel’s holiday cards is a pure delight.

MarvelHolidayCard

And to conclude this brief little heroic holiday excursion, I thought I would cap it off with this amusing mock-up of a 1950s-era Action Comics, courtesy of Comics Alliance (“No-El” – heh, heh – gets me every time).

gctnhholiday01

Happy Holidays Everyone!

Superhero Fashion Emergency!

In the world of superhero costume couture, red/black is the new…EVERYTHING.

RB1

 

One of the greatest things about comic books is the variety of costumes that the various heroes and villains deck themselves out in. From Batman’s iconic dark cowl and cape to Captain America’s star-spangled super soldier suit to Aquaman’s unconventional vibrant splash of orange and green goodness, costumes are great eye-candy and help to really individualize a character. And aside from teams like the Green Lantern Corps or the X-Men, who are pretty much required by law to wear matching or similar costumes, the majority of Marvel and DC’s collective universes were always awash with character costumes sporting colour combinations as distinct as their powers or skill sets.

And then something happened.

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Once upon a simpler time these were the only Bat-characters who went for the red/black look

Just a few short years ago Batwoman, Batman Beyond, Deadpool and a small handful of other characters were the only comic book headliners who were rocking costumes that solely consisted of red and black material. It was something that didn’t really stick out and wasn’t even worth noting, really. Fast forward to today and suddenly EVERYONE is wearing red and black – to the point where it is so obviously distracting that you can’t HELP but notice it. Comic books – one of the most creative mediums out there – are now sliding into a creativity-free fashion slump due to the over-employment of this restrictive palette. And for this particular comic book fan, there’s only so much red and black, page after page, comic after comic that I can take. It’s a fashion emergency that is dangerously close to putting some of my regularly purchased monthly titles on the critical list.

So, What ACTUALLY Happened?

This rise of the red/black scourge  is easily traceable – and it’s all DC’s fault. Back in 2011, DC Comics launched their highly publicized (albeit ill-conceived and poorly executed) line-wide reboot, “The New 52”. The point behind it was to boost sales and attract new readership with  new #1 issues of all their regular monthly title providing easy “jumping on” points.

So, the masterminds in the DC think tanks were chugging along, thinking of every type of marketing voodoo magic they could employ to pull new readers in. And then someone, somewhere must have read something that indicated that red and black were the colours most likely to catch people eyes or draw their interest or hypnotize them into opening their wallets, because suddenly a number of heroes had inexplicable “New 52” makeovers that  suggested that Batwoman would be facing a lot more competition at the next red and black sample sale.

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It’s also quite obvious that the red/black look has made everyone much more grim n’ growly (except for Hawk – he’s always been that way)

Nightwing, Hawk, Superboy and Wonder Girl were the first out of the gate with their revamped looks (shown to the right, alongside their pre-New 52 looks) which ranged from pointless colour swaps to needless outfit updates that somehow managed to seem both bland and busy at the same time. Nightwing’s blue-on-black ensemble was distinctive but his new red/black look is just derivative of both Batwoman and Batman Beyond, Hawk’s red-on-white garb was meant to complement partner Dove’s similar-looking blue-on-white outfit, but now it just…doesn’t.

And poor Superboy and Wonder Girl – gone are their refreshing “Causal Friday” jeans-and-t-shirt looks. Now, in their place we get  a Tron Cosplayer and Grumpy Red Riding Hood. (Even Wonder Girl’s lasso has been given an unholy red re-do. Is nothing sacred?)

At this time, DC also launched a new Red Lanterns title (think Green Lanterns with anger issues) and like all Lanterns, their costume colours default to a black base and the colour of their ring, so now we had a whole new team of red and black characters added to the mix. And just recently, Supergirl became the latest Red Lantern recruit (as indicated on the far right of the image at the top of this post) so she has now traded in her traditional blue, red and gold garb to become the latest red/black fashion victim.

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JL 3000’s Bats and Supes on the left and Earth 2’s on the right

And it didn’t stop there. Not content with their makeover madness, DC also introduced a handful of  “new” characters – who are also all decked out in the devil’s colours. And here’s where the creativity crutch is really puzzling to me. With the launch of the titles Earth 2 and Justice League 3000, there came the opportunity to present alternate world and future timeline versions of the World’s Greatest Heroes. So what does DC do? They give us not one, but two different versions of Superman and Batman – and ALL four of them are sporting that cutting edge red/black combo. I mean, come on.

BUT WAIT – THERE’S MORE!

Of course, this red /black onslaught is not all on DC’s shoulders. Because in the world of comic book publishing, whatever trend one of the big two publishers jumps on, the other has to try and top them. And that’s where Marvel came into the ring. It was like someone over at Marvel HQ said, “Well, we can give red and black makeovers too – and we’ll do it to ALL the members of team! No..scratch that – TWO TEAMS!”

So, first they launched the latest iteration of Thunderbolts, now led by Red Hulk. And apparently he had a “red” prerequisite for eligible team members, so while Elektra and Deadpool  aced it, Punisher and Agent Venom had swap out their black and whites for black and reds (see top image, second from left). So cute that they’re all matchy-matchy now, right?

Not content with that, Marvel unleashed what I consider to be the atomic bomb of this whole red/black catastrophe. Marvel’s first family, the Fantastic Four, is an iconic team that has always had an iconic look – matching blue uniforms (except when they’re feeling pretentious, in which case they switch to their “Future Foundation” whites). Well, earlier this year they debuted in the latest of their never-ending string of relaunches. Bold new story! Bold new direction! Bold new…costumes?

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Even Sue Storm thinks the new red/black look for the FF just can’t be taken seriously

Yes, the Fantastic Four has now hopped on the red/black express (see top image, second from the right) This is truly the sign of the Apocalypse – for if a great mind like Reed Richards can succumb to the mind-numbing, eye-searing pull of a red and black makeover, is there really ANY hope for the rest of the comic universes?

We can only stay strong and pray that a brighter, colourful and more aesthically pleasing day will soon come to pull our heroes out of their collective red and black nightmare (and save me from some severe red and black induced headaches).